Wholesale Oil Painting No Minimum
Prev       Next     
 
    

Johann Jakob Ulrich

impression atist 28 Feb 1798 -- 17 March 1877. Swiss painter. He first studied under his father and then in Paris in 1822 in the studio of Jean-Victor Bertin. As a student he concentrated on unusual lighting effects in his landscape paintings well before they became a hallmark of the precursors of the Impressionists. In 1824 at the Salon in Paris he first saw paintings by Constable. On a trip to Italy in 1828 he did studies en plein air as preliminary sketches for his studio paintings. His early paintings emphasize brilliant colour, low horizons and scientific observation of cloud formations in a manner similar to Constable's studies, which he actually saw on visits to England in 1832 and 1835. Like Eugene Boudin, Ulrich was interested in poetic evocations of sun, water and effects of atmosphere rather than in the precise delineations of topography typical of Swiss art of that period. From 1824 he showed regularly at the Salons in Paris and in 1837 he returned to Zurich. Because the Swiss public was reluctant to accept his freer,
Johann Jakob Ulrich en gondol painting


en gondol
en gondol
Painting ID::  56248
   mk247 1859,oil on canvas,13.75x13.375 in,35x34 cm,statens museum for kunst,denmark
  mk247 1859,oil on canvas,13.75x13.375 in,35x34 cm,statens museum for kunst,denmark

 
 
   
      
Johann Jakob Ulrich
impression atist 28 Feb 1798 -- 17 March 1877. Swiss painter. He first studied under his father and then in Paris in 1822 in the studio of Jean-Victor Bertin. As a student he concentrated on unusual lighting effects in his landscape paintings well before they became a hallmark of the precursors of the Impressionists. In 1824 at the Salon in Paris he first saw paintings by Constable. On a trip to Italy in 1828 he did studies en plein air as preliminary sketches for his studio paintings. His early paintings emphasize brilliant colour, low horizons and scientific observation of cloud formations in a manner similar to Constable's studies, which he actually saw on visits to England in 1832 and 1835. Like Eugene Boudin, Ulrich was interested in poetic evocations of sun, water and effects of atmosphere rather than in the precise delineations of topography typical of Swiss art of that period. From 1824 he showed regularly at the Salons in Paris and in 1837 he returned to Zurich. Because the Swiss public was reluctant to accept his freer,
en gondol
mk247 1859,oil on canvas,13.75x13.375 in,35x34 cm,statens museum for kunst,denmark
Prev       Next     

Related Paintings to Johann Jakob Ulrich :.
| A Capriccio of the Roman Forum | Trees by a canal | The Death of the Sons of King Edward in the Tower | La sortie de Conservatorie | The Holy Family with the Infant St. John in a Landscape |

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings